Section of the presentation on the topic of embroidery. Central City Public Library named after. V. Mayakovsky
Chuvash from early childhood. All clothes must be decorated embroidery, braid, beads, metal stripes; on wooden utensils, tools... types of seams and about 40 more of their varieties. Chuvash embroidery- This embroidery by thread count. For example, to depict an even triangle...
Russian artists. Handouts depicting Russian symbols embroidery. Photos of museum exhibits of national Russian clothing. Children's... Russian folk costume, its varieties, figurative structure, decoration embroidery). Physical pause. Explanations for practical work (compliance with the technique...
...: needles, thimble, scissors, centimeter, hoop Needles for embroidery Needle for embroidery you need a special one: thin, blunt (so as not to pierce the fabric) ... - up, and overlapping ones - from the right - from bottom to left up. Uniform embroidery it turns out if you follow this basic rule. If the cross goes along...
Paintings on fabric? Presentation 2. “Composition embroidery" Presentation 3. " Embroidery cross." Drawing up instructional cards for elementary grades... lesson; Microsoft PowerPoint Document Creating a Composition Presentation embroidery» Presentation “Composition embroidery» Lesson No. 4. Topic: Processing a product with hemstitching...
The most common and most used seam for embroidery. SEAM “SET” (EXPLAIN) Abuse – embroidery peoples of the North. This is a double-sided quick sewing... SOFA CUSHIONS SOFA CUSHION BAG LAMPSHAD CHRISTMAS TOYS SAMPLES EMBROIDERY IN HARDANGER TECHNIQUE HARDANGER TECHNIQUE BASIC ELEMENTS OF TECHNIQUE...
Threads on various fabrics and other materials. APPEARANCE EMBROIDERY The art of embroidery has a long history. The origins of embroidery include... stones and pearls. The walls of temples were decorated with it. EMBROIDERY IN THE TRADITIONS OF THE PEOPLE Embroidery Every nation has its own national characteristics, characteristic...
Verkhneuslonsky municipal district Republic of Tatarstan Creative PROJECT Handicrafts- Embroidery Author: technology teacher Nadezhda Ivanovna Romanova p. ... fabric 7. Insert the work into the frame. KINDS EMBROIDERY There are different types embroidery: counting embroidery(cross stitch), pattern embroidery (satin stitch), isothread...
For little things Birthday gift history of development embroidery Embroidery- one of the most popular types of textile decoration... tailor's pins; paints; tassels; sponges; hair dryer. Embroidery silk ribbons are: beauty; uniqueness; originality; cosiness; ...
Since ancient times, people have been engaged in sewing and embroidery of woven products in their free time from agricultural work. And although special embroidery machines were created already at the beginning of the 20th century, hand embroidery remained a favorite type of folk art. Craftswomen often used several techniques and ornamental motifs in their products. Embroidery could be either one-color - monochrome, or color - polychrome. Among the patterns, floral and plant-geometric patterns predominated, distinguished by the elaboration of details. They embroidered branches of grapes, berries, and flowers. The sleeves of the shirts were especially lavishly decorated: at the top were two lines of floral patterns, below were vertical rows or scattered pattern elements. Sometimes the patterns on clothes and towels included stylized images of animals and characters from folk epics. Initially, wool, linen and hemp threads were used for embroidery, but over time the variety of materials used and the range of colors expanded. Since the end of the 19th century, gold and silver threads, beads, and glass beads were often interspersed into the ornament to give clothes a festive feel.
Not only clothes and towels, but also tablecloths, curtains, valances, pillowcases, and napkins were decorated with embroidery. These items were prepared by the girl as a dowry for the wedding, testifying to the taste and skill of the hostess, her wealth. They were made from both homespun and factory fabric.
The period of the late 19th - early 20th centuries was a turning point in folk art. At this time, along with homemade linen and wool threads, they began to use purchased cotton yarn, floss along with homespun - factory fabrics. At the same time, various printed patterns began to be published. All this led to the emergence of a new type of folk art - embroidery. Mostly they depicted scenes from life, literary works, fairy tales, and flower arrangements.
The exhibition “Bound by One Thread” by Tamara Georgievna Vasilyeva, Ekaterina Nikolaevna Khokhlova, Maina Evgenievna Filippova is composed of rare embroidery samples from the collections of craftswomen, folk embroidery and best works modern embroiderers.
Vasilyeva Tamara Georgievna is a unique embroiderer who masters almost all embroidery techniques and embroiders in different genres. In addition, Tamara Georgievna is not only a Master, but also a Teacher. Tamara Georgievna devoted many years of her life to teaching embroidery and cultivating a love for this art form.
Khokhlova Ekaterina Nikolaevna presents a collection of her works and the work of her students. In her work she takes a multifaceted approach to using various techniques and embroidery styles. The beginning of such views on the art of embroidery was laid by Ekaterina Nikolaevna’s teachers - Tamara Georgievna Vasilyeva and Lyudmila Ivanovna Khopova. Now Ekaterina Nikolaevna teaches herself and tries to pass on the priceless crumbs of the disappearing knowledge of folk embroidery to her students.
Filippova Maina Evgenievna is a Member of the Creative Union of Cultural Workers. Her uniqueness lies in the fact that, being an artist, she found her creative self-expression in the art of embroidery.
Found an error or inaccuracy? Press CTRL and ENTER and tell us about itFashion and design: historical experience, new technologies: materials of the international scientific conference, St. Petersburg, 2014: materials of the XVII international scientific conference, St. Petersburg, May 28-31, 2014 / Ministry of Education and Science of Russia. Federation, Feder. state budget. education institution of higher education prof. Education "St. Petersburg State University of Technology and Design", Russian Federation ethnographic museum; [ed.: N. M. Kalashnikova]. - St. Petersburg: Federal State Budgetary Educational Institution of Higher Professional Education "SPGUTD", 2014. - 571 p. + 1 email wholesale disk (CD-ROM). - Bibliography in note at the end of Art. - Cap. CD: "Needle painting...": embroidery in traditional clothing of the peoples of Russia. - 250 copies. - ISBN 978-5-7937-0974-3: 220.00 rub.
Content:
Belsky, Stanislav Vladimirovich. On the issue of reconstruction of ancient Karelian female funeral attire of the 13th–15th centuries. / S. V. Belsky. - WITH .4-7
Zhabreva, Anna Ernestovna. "Image of the Russian embassy, presented under the command of Zakhar Ivanovich Sugorsky to Emperor Maximilian II at the Regensburg Diet in 1576." : (to history men's suit in Russia in the 16th century) / A. E. Zhabreva. - WITH .8-13
Kosourova, Tatyana Nikodimovna. Gold, silver and silk in the decor of European costume of the 16th-19th centuries./ T. N. Kosourova. - WITH .14-20
Krotova, Tatyana Fedorovna. English costume in the collection of the Victoria and Albert Museum in London: aspects of chronology classic style/ T. F. Krotova. - WITH .21-27
Kurbatov, Alexander Valentinovich. Footwear of the peoples of the North Caucasus in the material culture of Ancient Rus'/ A. V. Kurbatov. - WITH .28-33
Mitina, Maria Nikolaevna. Clothing and the human body in the art of Tripoli-Cucuteni/ M. N. Mitina. - WITH .34-38
Pavlacik, Patrick. Kashmir shawls in the collection of the State Ethnographic Museum in Warsaw/ P. Pavlacik. - WITH .39-50
Panfilova, Lyubov Alexandrovna. Japanese influence on creation female image : (costume of the Art Nouveau era) / L. A. Panfilova. - WITH .51-55
Ryabtseva, Svetlana Stanislavovna. About one type of Byzantine jewelry X-XI centuries/ S. S. Ryabtseva. - WITH .56-60
Sikorskaya, Maria Igorevna. Aesthetic organization of the Viking battle costume/ M. I. Sikorskaya. - WITH .61-64
Uspenskaya, Elena Nikolaevna. Indian Kani Jamavar and Russian cashmere shawl - continuity of textile tradition / E. N. Uspenskaya. - WITH .65-70
Fedicheva, Elena Yurievna. Evolution of cutting methods women's clothing / E. Yu. Fedicheva, M. M. Kuznetsova. - WITH .71-74
Shapiro, Bella Lvovna. Female sports suit Belle E"poque period/ B. L. Shapiro. - WITH .75-77
Shvarkov, Alexey Vladimirovich. The origin and features of European polychrome in jewelry and costume details during the era of migration of peoples / A. V. Shvarkov. - WITH .78-82
Yatsenko, Sergey Alexandrovich. Funerary terracotta "minji" with a costume of a Turkic appearance from China and Mongolia of the 7th-8th centuries. / S. A. Yatsenko. - WITH .83-86
Bednarchik, Anna Andreevna. Belts on tablets from the collection of the Arkhangelsk State Museum of Wooden Architecture and Folk Art "Malye Korely" / A. A. Bednarchik. - WITH .87-91
Gadzhikhanova, Razitta Gadzhikhanovna. The problem of studying the traditional clothing of the peoples of Dagestan/ R. G. Gadzhikhanova. - WITH .92-98
Guseinova, Matanat Tazakhanovna. Jewelry in the ensemble of Azerbaijani women's costume: (history and modernity) / M. T. Guseinova. - WITH .99-102
Danilenko, Angela Pavlovna. Reconstruction of the female folk costume Podolkhi village, Belgorod region/ A. P. Danilenko. - WITH .103-107
Dyakova, Elena Vasilievna. About some features of the costumes of the characters of the Malanka ritual in the town of Krasnoilsk (Ukraine) / E. V. Dyakova. - WITH .108-112
Krestovskaya, N. I. From the history of collecting and studying folk costume in the Russian Museum/ N. I. Krestovskaya, M. A. Sorokina. - WITH .113-118
Lukyanets, Olga Stepanovna. Fashion and traditional costume of Moldovans in the first half of the 20th century/ O. S. Lukyanets. - WITH .119-121
Mitryagina, Tamara Alekseevna. Traditional Russian costume as a value-multifunctional phenomenon/ T. A. Mitryagina. - WITH .122-134
Mishurinskaya, Lyubov Igorevna. "Magpie" among the baptized Volga Tatars/ L. I. Mishurinskaya. - WITH .135-142
Mishurinskaya, Olga Vladislavovna. On the issue of changes in women's suit eastern group of Mordovians-Erzi in the 20th century. / O. V. Mishurinskaya. - WITH .143-148
Novik, Alexander Alexandrovich. On the history of the costume of the Albanians of the Azov region (Farta)/ A. A. Novik. - WITH .149-152
Ostrovsky, Alexander Borisovich. Orthodox cross as part of a festive costume/ A. B. Ostrovsky. - WITH .153-157
Senichkina, Anna Alexandrovna. On the question of the typology of women's Avar jewelry/ A. A. Senichkina. - WITH .158-161
Serova, Tatyana Mikhailovna. Methodology and some studies of identification of the traditional costume of the peoples of Dagestan / T. M. Serova. - WITH .162-167
Sinilo, Anatoly Nikolaevich. Traditional Belarusian costume of Loyevshchina (late 19th - mid 20th centuries)/ A. N. Sinilo. - WITH .168-173
Smirnova, Oksana Alekseevna. National Ukrainian costume - a source for studying the history and culture of Ukrainians / O. A. Smirnova. - WITH .174-180
Soldatkina, Irina Mikhailovna. About the bib in the Evenki costume/ I. M. Soldatkina, E. A. Zavadskaya. - WITH .181-186
Tulaeva, Lyudmila Vitalievna. Displaying elements of folk costume in folk songs of the Yenisei region/ L. V. Tulaeva. - WITH .187-192
Kharebava, Salome Dzhanverevna. Artistic features of men's Khevsur costume/ S. D. Kharebava. - WITH .193-196
Abushenko, Natalya Alexandrovna. Spreng technique and splinterless lace in Russia/ N. A. Abushenko. - WITH .197-201
Albedil, Margarita Fedorovna. Where does chintz come from?/ M. F. Albedil. - WITH .202-205
Domnenkova, Lyudmila Vladimirovna. Features of the development of textile ornament of the 18th century/ L. V. Domnenkova. - WITH .206-210
Balabushevich, Larisa Igorevna. Luminous lace: the experience of the author’s interpretation of traditional craft in art objects: (in the work of People’s Master T. A. Maslova) / L. I. Balabushevich, N. A. Kokhanik. - WITH .211-215
Magarik, Andrey Karlovich. Clothes 2050: revolutionary technologies and a change in market hierarchy/ A.K. Magarik. - WITH .216-220
Nenasheva, Larisa Viktorovna. On the names of fabrics in the dialects of the Arkhangelsk region/ L. V. Nenasheva. - WITH .221-224
Savina, Natalya Vladimirovna. Artistic features of Ivanovo textiles of the second half of the twentieth century: on the example of the assortment of fabrics of the Bolshoi Ivanovo Manufactory / N.V. Savina. - WITH .225-228
Solomentseva, Svetlana Borisovna. Features of European lace-making of the 15th-19th centuries/ S. B. Solomentseva. - WITH .229-233
Sosnina, Natalya Nikolaevna. Products from Gury Levin's factories in the collection of the Russian Ethnographic Museum/ N. N. Sosnina. - WITH .234-237
Fayzullina, Diana Faridovna. Textile traditions and materials for the manufacture of clothing among the population of the Volga-Kama region of the early Iron Age / D. F. Fayzullina. - WITH .238-244
Tsvetkova, Natalia Nikolaevna. Love in art "Fiber art": based on materials from exhibitions in 2013 / N. N. Tsvetkova. - WITH .245-249
Azarhi, Sofia Veniaminovna. Modern fashion trends. "Eastern Intervention"/ S. V. Azarhi. - WITH .250-256
Nesterova, Maria Alexandrovna. Tokyo Fashion Week: analysis of trends in collections 2005-2013. / M. A. Nesterova, K. A. Spitsyna. - WITH .257-261
Sorokotyagina, Elena Nikolaevna. Sports style in modern fashion / E. N. Sorokotyagina. - WITH .262-264
Salamzade, Ertegin A. Suit as a system visual information / E. A. Salamzade, R. G. Abdullaeva. - WITH .265-268
Atkins, Jacqueline Marks. Art of Itchiku Kubota (1917-2003): kimono as traditional clothing and contemporary art / J. M. Atkins. - WITH .269-273
Berdnik, Tatyana Olegovna. Costume as a reflection of integration processes in fashion and theatrical art/ T. O. Berdnik. - WITH .274-279
Bufeeva, Irina Yurievna. Modern mass culture and problems creative activity artist-designer in the field of fashion industry / I. Yu. Bufeeva. - WITH .280-284
Ivanova, Yulia Borisovna. Second international festival "Patchwork mosaic" - "Patchwork mosaik", Moscow, 2013/ Yu. B. Ivanova. - WITH .285-293
Novikova, Olga Konstantinovna. International activities of the Leningrad Fashion House/ O. K. Novikova. - WITH .294-298
Gogolevska, Kamila. Historical costume in a feature film/ K. Gogolevska. - WITH .299-304
Traini, Clelia. Exhibition "Creative Excellence: Beauty and Craftsmanship in Italian": (St. Petersburg, 2013, Russian Ethnographic Museum) / C. Traini. - WITH .305-309
Fudimova, Elizaveta Vladimirovna. Reconstruction of the costume complex: roles and tasks / E. V. Fudimova. - WITH .310-312
Chigareva, Diana Viktorovna. Information and sign system of women's clothing collections of the fashion theater "Image from Anastasia" / D. V. Chigareva. - WITH .313-316
Yackerson, Dina. Modern Art: from haute couture to tradition/ D. Yackerson. - WITH .317-320
Afanasyeva, Natalya Valerievna. Elements of Russian style in modern clothes / N.V. Afanasyeva. - WITH .321-324
Gryazeva, Irina Vitalievna. Prospects for using traditional materials in modern costume/ I. V. Gryazeva. - WITH .325-327
Zvereva, Anna Nikolaevna. Costume of the peoples of Yakutia. Ethnic traditions in design modern suit / A. N. Zvereva. - WITH .328-333
Mizonova, Natalya Grigorievna. Transformation of the principles of using the theme of folk costume in the works of Russian and Soviet artists of the twentieth century / N. G. Mizonova. - WITH .334-339
Ablaeva, Ulvie Osmanovna. Traditional Crimean Tatar embroidery/ U. O. Ablaeva. - WITH .340-345
Blyumin, Marina Alekseevna. Suprematist embroideries of the "Verbovka" artel in Ukraine/ M. A. Blyumin. - WITH .346-350
Vinnikova, Maria Nikolaevna. About embroidery on traditional caps of the Turov region/ M. N. Vinnikova. - WITH .351-357
Gorodneva, Lyubov Gennadievna. Embroidery in Ukrainian costume of the 19th - early 20th centuries/ L. G. Gorodneva. - WITH .358-363
Dyakova, Elena Vasilievna. From the experience of embroidery attribution from photographs/ E. V. Dyakova, E. N. Khokhlova. - WITH .364-368
Zimina, Tatyana Alexandrovna. Embroidered ponevs in the collection of the Russian Ethnographic Museum/ T. A. Zimina. - WITH .369-374
Ivanova, Svetlana Viktorovna. Development of Western European ornamental embroidery. The use of embroidery in “Haute couture” fashion / S. V. Ivanova. - WITH .375-379
Ignatieva, Tatyana Ivanovna. "The white, white surface of Mstera..."/ T. I. Ignatieva. - WITH .380-384
Kalashnikova, Natalya Moiseevna. About the exhibition "Painting with a needle...", dedicated to embroidery in the traditional costume of the peoples of Russia: (collection of REM) / N. M. Kalashnikova. - WITH .385-390
Kislukha, Lyudmila Fedorovna. Folk embroidery Pinega: (based on materials from museum collections of the late 19th - early 20th centuries) / L. F. Kislukha. - WITH .391-395
Korolkova, Lyudmila Valentinovna. Embroidered women's headdresses Izhora and Vodi from the REM collection/ L. V. Korolkova. - WITH .396-399
Krasnyak, Natalia Ivanovna. Embroidery in the works of modern fashion designers/ N. I. Krasnyak. - WITH .400-403
Makarova, Marina Petrovna. Features of decorating shirts (embroidery, weaving) of the Zemetchinsky district of the Penza region / M. P. Makarova, N. E. Romanova. - WITH .404-407
Popova, Larisa Fedorovna. Embroidery in traditional Kyrgyz women's costume/ L. F. Popova. - WITH .408-415
Pudakova, Olga Vladimirovna. Embroidery as a marker of the national identity of the Tatar costume/ O. V. Pudakova. - WITH .416-418
3Sadikhova, Sevil Yusif kyzy. The role of artistic embroidery in Azerbaijani design national costume / Sadikhova S. Yu. kyzy. - WITH .419-426
Sklyar, Lyudmila Borisovna. Russian style costume/ L. B. Sklyar. - WITH .427-430
Slastnikova, Lyudmila Alexandrovna. Flora in the embroideries of the Crimean Tatars. XIX - early XX centuries: (based on SEM materials) / L. A. Slastnikova. - WITH .431-433
Fedorchuk, Elena Stepanovna. Beaded decor of Bukovinian folk clothing of the 19th century/ E. S. Fedorchuk. - WITH .434-440
Balashov, Mikhail Evgenievich. Space - decoration: artistic and historical analysis of vintage interior design techniques / M. E. Balashov. - WITH .441-448
Kovaleva, Tatyana Vyacheslavovna. "Scandinavian style" in interior design: "classic" and modernity/ T. V. Kovaleva. - WITH .449-453
Balashov, Mikhail Evgenievich. Ethnic motifs in a modern interior: decorative possibilities of ikat / M. E. Balashov, T. Yu. Shevchenko. - WITH .454-457
Teaching methods in the professional training of designers . - WITH .458-553
Categories:Costume—History—Congresses, meetings, conferences
Clothing—Models—History—Congresses, meetings, conferences
Document holders:
TsGPB im. V. V. Mayakovsky
Add. access points:
Kalashnikova, Natalya Moiseevna (1946-)\ed.\
Russian Federation. Ministry of Education and Science
St. Petersburg State University of Technology and Design
Russian Ethnographic Museum (St. Petersburg)
"Fashion and design: historical experience - new technologies", international scientific conference (17; 2014; St. Petersburg)
Instances of everything: 1
ChZ (1)
Available: ChZ (1)
